Winter Moose was in the news, and we are very close to our goal. A little over 24 hours to go. Here is the link to the Channel 5 news piece from January 5th:  http://www.wptz.com/…/motherdaughter-team-need-pub…/30544154
With an eye toward the future, I am investigating possible mentors in the fabric development world, grant funding for that connection to be made, and pursuing professional industry connections.
On the clay side of things? I am busy making my first doll head. I have been thinking about displaying small versions of our coats on bears, or dolls, for some time. My daughter is both a maker of bears and their clothes, along with doll clothes and miniature horse tack. She helped me nail down a strategy for making original porcelain heads and shoulders, while she is testing out home made doll body patterns. A new fashion doll is now in the works.

My December went by quickly, with little vials and amphorae in shops around town, a visit to a new weaver in the area, more study about modern textile finishing practices, and, (out of the blue of pure inspiration) some fun new designs for a knit baby bunting. Now I wish you a

 Happy New Year! 

We are less than two weeks away from the Winter Moose II Kickstarter deadline. I am trying to distract myself by working on fabric weave designs, and finding new possibilities for creating a "fake" fur, with yarn and locks. We will keep moving forward! All the best to you Little Oak Studio friends out there, and may your dreams come true!

The new Winter Moose II is moving along, and I want people to have the opportunity to see some of our fashion illustrations. Here is the video we made for the original Winter Moose launch. I hope you enjoy it!

We did it! A new and much smaller fundraising goal, and a new video called Winter Moose II. We have chosen some small, key steps to reach our long term goals, and with your help ($5) we can accomplish them. I drew more than a dozen illustrations for this video, and my daughter assisted in taking the footage, as well as flipping slides, updating posters and so much more. I hope you enjoy our work. Here is the link:

Winter Moose II

The Winter Moose Kickstarter - number one - closed on Nov. 8th without funding. The good news is that I expanded my network, attended a seminar on successful crowd source fundraising, and began the work of launching a new campaign. I have spent the past few days sketching and drawing, as my daughter edits the script, and plans on taking the video. This time we will ask for only $3,700, to take some small but important steps forward. To balance the Winter Moose work, I have also kept my hands in the clay. Here are some new vials from three moulds I just got back from the kiln. I love them. I find it so entertaining to see the clay shrink as it dries. After hours of focus, I find simple pleasures are the best!

Sustainable Cloth:  

 A Vermont designer takes up the regional textile challenge.

Many of us show support for our neighbors and community by buying at farmers’ markets and locally owned businesses.  We have changed where we put our dollars, and shifted our shopping bags from plastic to paper or cloth.  Some of us even make a point of buying hemp or organic cotton garments.  While “going green” by looking at a garment’s tag seems easy, the reality of textile production is very complex.  

The fiber in most hemp and organic cotton garments found in the U.S.A. is grown and processed on the other side of the world. The majority of natural fibers today are saturated with formaldehyde solutions, pesticides (via permanent adhesives), and synthetic dyes that are health hazards for the environment and all who live in it. Synthetic dyes are near the top when it comes to the  largest environmental polluters.

So, as concerned people, who want to show respect for the earth and our neighbors, what can we do? 

A New Face to American Textiles

There is a growing interest among both farmers and designers in environmentally friendly textile production.  In the past decade, new processing mills have sprouted up in many states across the nation, and at least one weaving mill has been saved from being auctioned overseas.  These little mills, that make yarn from regional fiber, serve as hubs for connecting the dots between raw fibers and regional textiles.  Isolated networks of textile development are growing and beginning to connect with each other.

Several people have developed ambitious projects and organizations to raise awareness about locally produced fiber, yarn, and knit and woven fabrics.  Names like Fibershed, Slow Cloth and Farm2Fashion are taking hold in many states.

Revitalizing the Vermont Textile Tradition With a Kickstarter Fundraiser

My project, Winter Moose, is based in Vermont.  The textile mills here were large and productive, but from the 1950s onward there was a steep decline. Now we are a region full of hand weavers, echoing the state of textile production in the late 1700s.  Winter Moose is a Kickstarter fundraiser to  show what we are capable of right now. 

Locally Grown Fiber and Dyes

Beginning with the farmer’s, I have started to gather alpaca and sheep fiber.  We plan on using a Vermont carding and spinning mill with the ability to process organically.  Color will be added to some of the yarn by local dyers who grow their own dyes, or who use plant dyes grown in the U.S.A.. Most of the yarn colors, however, will be mixtures of naturally grown colored fiber.

  

Rt top: Alpacas of many colors.
Rt bottom:  These shades were created with madder; 

a root that grows in Vermont.

Winter Moose will Weave the Industry Together at a Regional Level

Professional weavers, from all parts of Vermont, will take this yarn and create cloth destined for fifteen coats and several hats and bags, that my daughter and I have designed.

(See the Winter Moose Kickstarter or wintermoose.com for a video of our designs).  When the cloth comes off the loom, I will sample test various natural finishing processes.  Then I will work the yardage by hand and machine until it is properly fulled, teased, shorn, collandered and otherwise finished and ready for cutting. 

As the main designer, I will be creating the initial patterns for each item to be sewn. Then local professional seamstresses and stitchers will cut and sew the garments, adding handmade wooden buttons and a 100% organic cotton lining, grown and processed in the U.S.A. if possible.  Zippers, threads, and other notions, will be sourced in the U.S.A., if not found in Vermont.

Community Building and Research

Creating the Winter Moose fabric is about connecting masters and experts who have not worked together before. It is about learning the strengths and weaknesses of one geographic region, and helping to rebuild what has been lost.  For example, the finishing techniques for woolen goods, that were part of the first mills in Vermont, are no longer available in all of New England.  This is an opportunity to add new innovation to the revival of old traditions.  By combining research with ingenuity, I think we can weave a community around a local industry that has a rich history in the area. 

With Winter Moose, I aim to assist in building connection and mutual economic support between the farmers, spinners, weavers, designers and stitchers of Vermont, while planning for new technologies to accomplish traditional processes.

Rt:  Merino sheep. The initial textiles for 

Winter Moose will be almost 50% Merino.

For Winter Moose, 

Education is a Top Priority 

Educational efforts will include sharing information about environmentally sound practices, cross-sector interface and efficiency, skills training and consumer education.

Over the past five years, through research and networking, I have already stimulated a new environmental awareness among some fiber farmers and mill owners.  In honor of those thousands of people who have severe, negative health affects from formaldehyde and pesticide exposures, I am committed to making Winter Moose fabric as natural as possible.  In today’s world, this is a challenge.

Creating a Purely Natural Textile

People need reminding about how pervasive synthetic adhesives are in our culture. Winter Moose fibers must never have contact with “bug proofing” dryer sheets or chemical baths of synthetic pesticides and preservatives.  Work spaces and storage units must be free of synthetic fragrances, deodorizers and “air fresheners”.  I want Winter Moose textiles to be safe for the chemically injured of our society, and provide a pure and natural alternative to the toxic load so typical in today’s “natural” fibers. To be involved in Winter Moose, people must use only natural products, which fosters awareness, and adds support to other sustainable and all natural businesses.

Rt:  Runway fashion from1970

Establishing Networks and Best Practices

Education is also key in assisting diverse sectors to work more efficiently together. I have already supported this by writing a pamphlet to help farmers better prepare their fiber for the mills. I designed this pamphlet to include suggestions and requests, from three Vermont processing mills.  

Integrating Vermont’s Refugees

Bringing new talent and skills to the industry through the Refugee Resettlement Program in Vermont is also a goal of the Winter Moose project. Minimal training could fill a need for efficient, mobile, fiber skirting and sorting teams.  The Winter Moose project may also provide career opportunities for refugees with preexisting skills in tailoring and weaving.

From Fields to the Runway...

The coats themselves are a grand education campaign.  If I succeed at raising the necessary funds on the Winter Moose Kickstarter, I will take the finished coats on a tour to raise awareness about the importance of regional, traditional textiles. I think people would like to better understand how their textile choices affect the economy, the environment and their health.

Keeping it Close to Home

Next time you think about purchasing a “green” item made of cloth, I hope you will pause and look around you.

By supporting your local fiber farmers, yarn mills and garment makers, you will be doing much more for your community, and the environment, than by buying organic cotton or hemp grown on the other side of the world, dyed in many baths of toxic chemicals, and shipped to the U.S.A.  

You might be pleasantly surprised by who your local weaver is.

----------------------

By Ishana Ingerman

Burlington, Vermont

Copyright 2014

For questions, contact: ingerman@littleoakstudio.net

To support the Winter Moose project, click on the links below.

 Winter Moose Kickstarter   or   wintermoose.com 

  

Come and hear a bit of my journey, so far!

The 20 steps from Field to Fashion

A one hour seminar on October 18th

11:00 a.m. to 12:00 p.m. at the

Green Mountain Alpaca Fall Spectacular

Essex, Vermont

"Ishana Ingerman is a Burlington designer, artist and organizer working on regional textile development. As a part of her Winter Moose Coats Project, she has traveled around Vermont  to learn about the many steps involved in textile and garment manufacture.  Come and learn about the 20 steps she has identified, and the opportunities to make sustainable or nontoxic choices along the way."

PLEASE refrain from wearing any synthetic fragrances. All natural essential oils are not a problem. Thank you.

Event Information: click here.

New Photos on Fine Art America

Fall is here in all it's glory.  I have posted some photos I took recently on Fine Art America. They are now available as simple and customizable greeting cards as well as prints and canvases. Have a look at a few pictures here:

A Proud Pink Hollyhock

Sunset in Richmond, Vermont

Clouds, Mountains and Fall Color

Cashmere Goats dressed in Pom-Poms

The picture bellow was a blessing on my trip to Bristol, VT, today - to visit a new yarn store! I did purchase some yarn that my daughter has promised to knit up into a hat for me.  Llama and silk. Mmm. (I do love to knit, but I have been too busy working on Winter Moose to commit to a new project.)  As a result of my jaunt into Bristol, I met with a well established and excellent artist and artisan, Reed A. Prescott III. I took one look at his fine, handcrafted wood buttons, and knew that they were the ones I wanted for the Winter Moose coats. A very happy connection.